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Poetry

The Last Frequency

An old radio carries fragments, static and unfinished truth until silence is allowed to be the ending it already became.

R Richard Nkwenti 2 min read
An unplugged analog radio rests beside a notebook and empty cup at a rain-darkened window.
The last frequency was the end of pretending.
The radio remains on the shelf for weeks after the station is gone. Its dial still glows amber at midnight, a small artificial moon over numbers that once meant arrival. Turn it slowly. Static gathers and thins. A trumpet appears for half a bar, then weather. A preacher says one word—mercy— before distance swallows the sermon. Somewhere, a baseball crowd rises for a victory no longer ours. This is how goodbye often behaves: not a final sentence, but a signal weakening beyond use. The familiar voice becomes intermittent. Meaning arrives with pieces missing. Both listeners pretend the fault is atmospheric. There were things each meant to say. Not confessions grand enough for cinema. Smaller, more dangerous truths: I heard the fatigue beneath your anger. I knew the joke was an apology. I kept asking for clarity when what I wanted was a different answer. Night after night, the hand returns to the dial, searching between assigned frequencies for the impossible country where nothing ended badly because nothing ended at all. But static is not a hidden language. Silence does not become devotion because one listens harder. A machine can amplify absence until absence fills the entire house. Near dawn, the radio is unplugged. The amber circle closes. For several seconds, the tubes release their heat and the metal case gives one soft click— the sound of a thing cooling after years of carrying current. Outside, birds begin without permission. No message. No explanation. Only separate throats testing the morning. On the shelf, the dark dial keeps every number. None of them is home now. The last frequency was not lost. It was the moment both voices stopped pretending they could still be heard.

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